Book

Gauguin, P., Thomson, B., Garb, T. (Eds.), (2010). Gauguin. Tate Publishing(UK).
Garb, T., Enwezor, O., Vladislavić, I., Gallery, H.O.V. (2008). Home lands - Land Marks. .
Garb, T. (2008). Home Lands - Land Marks; Contemporary Art from South Africa, Haunch of Venison. London: Haunch of Venison.
Garb, T. (2008). The Body in Time. University of Washington Press.
Garb, T. (2008). The Body in Time; Figures of Femininity in Late Nineteenth-Century France. Seattle WA: University of Washington Press.
Garb, T. (2007). Reisemalheurs in Vivienne Koorland 'Reisemalheurs' (Travel Woes) Freud Museum, London. London: Freud Museum.
Garb, T. (2007). 'The Painted Face: Portraits of Women in France 1814 - 1914'. London: Yale University Press.
Garb, T. (2004). 'Homesick' in Mona Hatoum. Salamanca: Centro de Arte de Salamanca.
Garb, T. (1998). "The Unquiet Image: The Paintings of Vivienne Koorland". Irma Stern Musem, University of Cape Town .
Garb, T. (1998). Bodies of Modernity, Figure and Flesh in Fin de Siecle France. London: Thames & Hudson.
Adler, K., Garb, T. (1995). Berthe Morisot. Phaidon Inc Ltd.
Garb, T. (1994). Sisters of the Brush. Yale Univ Pr.
Garb, T. (1986). Women Impressionists. .

Chapter

Garb, T. (2019). Revisiting the 1860s: Race and Place in Cape Town and Paris. In Clayson, H., Dombrowski, A. (Eds.), Is Paris Still the Capital of the Nineteenth Century?: Essays on Art and Modernity, 1850-1900. London, UK: Routledge, Taylor & Francis Group.
Garb, T. (2018). Constance Stuart's war: women and documentary's excess. In Hemingway, A., Baker, M. (Eds.), Art As Worldmaking. Manchester UK: Manchester University Press.
Garb, T. (2018). Renoir and the natural woman. In The Expanding Discourse: Feminism and Art History. (pp. 295-311). .
Fer, B.A. (2017). Die Gedanke sind Frei. In Garb, T. (Ed.), William Kentridge and Vivienne Koorland: Conversations in Letters and Lines. Edinburgh: Fruitmarket Gallery.
GARB, T. (2010). "The human race torn to pieces": The Painted Portraits of Alice Neel. In Neel, A., Lewison, J., Walker, B., Gallery, W.A., Sweden, M.M.M. (Eds.), Alice Neel: Painted Truths. (pp. 16-33). New Haven and London: Yale Univ Pr.
Garb, T. (2010). Alice Neil, Painted Truths. In Museum of Fine Arts, Houston.
Garb, T. (2008). ALIBAMA The Poetry of Place. In Berni Searle Recent Works 2007/8. (pp. 26-33). Cape Town: Michael Stevenson Gallery.
Garb, T. (2006). 'Hairlines'. In Armstrong, C.A.D.Z.C., e.d.s. (Eds.), 'Women Artists at the Millenium'. (pp. 255-274). Cambridge Massachusettes: MIT Press.
Garb, T. (2004). Looking Down. In Massimo Vitali Photographer. Prato,Italy: Centro per L'Arte Contemporanea Luigi Pecci.
Garb, T. (2004). Modigliani: Beyond the Myth. In Making and Masking. Modigliani and the Problematic of Portraiture. (pp. 43-54). New York: New York Jewish Museum.
Garb, T. (2002). The Forbidden Gaze: Women Artists and the Male Nude in Late Nineteenth-Century France. In The Visual Culture Reader. (pp. 617-624). London, England: Routledge.
Garb, T. (2001). Framing Femininity in Manet's Portrait of Mlle E.G. In D'Souza, A. (Ed.), Self and History, A Tribute to Linda Nochlin. (pp. 77-90). London: Thames and Hudson.
Garb, T. (2001). To Kill the Nineteenth Century: Sex and Spectatorship with Gertrude and Pablo. In Green, C. (Ed.), Picasso's Les Demoiselles d'Avignon. (pp. 55-76). Cambridge University Press.
Garb, T. (2000). Framing Femininity in Manet's Portrait of Mlle E.G. In D'Souza, A. (Ed.), Self and History. A Tribute to Linda Nochlin. (pp. 77-90). London: Thames and Hudson.
Garb, T. (1999). "Men of Genius, Women of Taste"; The Gendering of Art Education in late nineteenth-century Paris. In Weisberg, G.P., Becker, J.R. (Eds.), Overcoming all Obstacles: the Women Artists of the Academie Julian. (pp. 115-134). New York: Rutgers University Press.
Garb, T. (1999). Modeling the Body: Photography, Physical Culture and the Classical Odeal in fin-de-siecle France. In Johnson, G. (Ed.), Photography and Sculpture. (pp. 86-100). Cambridge: Cambridge University Press.
Garb, T. (1998). The Forbidden Gaze: Women artists and the male nude in late nineteenth-century France. In Mirzoeff, N. (Ed.), The Visual Cultural Reader. (pp. 415-422). London: Routledge.
Garb, T. (1997). Masculinity, Muscularity and Modernity in Caillebotte's male figures. In Smith, T. (Ed.), Invisible Touch; modernism and masculinity. (pp. 53-74). Sydney: Power Publications.

Exhibition

Garb, T. (1900). Distance and Desire - Encounters With the African Archive. [Exhibition].
Garb, T. (1900). Figures and Fictions. [Exhibition].
Garb, T. (1900). Made Routes: Mapping and Making. (No of pieces: 14). [Exhibition]. Richard Saltoun Gallery, London, UK.
Garb, T. (1900). William Kentridge and Vivienne Koorland: Conversations in Letters and Lines. (No of pieces: 15). [Exhibition]. Fruitmarket Gallery, Edinburgh.

Journal (Full / Special issue)

Bollington, L., Ehrenstein, V., Brenchat Aguilar, A., Gilbert, J., Carroll, T., Garb, T. (Eds.), (2020). Turbulence. Think Pieces, (2),
Brenchat Aguilar, A., Brodie, G., Gilbert, J., Garb, T. (Eds.), (2019). Lies. Think Pieces, 1 (1),

Journal article

Garb, T., Mokoena, H. (2020). Conversation between Hlonipha Mokeona and Tamar Garb (vol 33, pg 40, 2019). CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES, 33 (6), III. doi:10.1080/02560046.2019.1812881
Garb, T., Mokoena, H. (2020). Navigating the African Archive - A Conversation between Tamar Garb and Hlonpiha Mokoena. CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES, 33 (6), 40-51. doi:10.1080/02560046.2019.1708427
Garb, T. (2020). Painting/Politics/Photography: Marlene Dumas, Mme Lumumba and the Image of the African Woman. Art History,
Garb, T. (2019). Falling and Rising: In the Wake of Cecil John Rhodes. Nka Journal of Contemporary African Art, 2019 (44), 24-37. doi:10.1215/10757163-7547418
Garb, T. (2018). The Saturated Image. Parkett -Zurich,
Garb, T. (2015). John David Rhodes: Introduction. Screen, 56 (4), 472-473. doi:10.1093/screen/hjv057
(2015). Preface. Screen, 56 (4), 471. doi:10.1093/screen/hjv056
Garb, T. (2014). Rethinking Sekula from the Global South: Humanist Photography Revisited. Grey Room, (55), 34-57. doi:10.1162/GREY_a_00140
Garb, T., Nixon, M., Mitchell, J. (2005). A conversation with Juliet Mitchell. OCTOBER, (113), 9-26.
Garb, T. (2005). A Conversation with Juliet Mitchell (co-authored with Mignon Nixon). October, 113 (Summer 2005), 9-26.
Garb, T. (1998). Bonnard Exhibition.
GARB, T. (1996). THE SPECTACULAR BODY - SCIENCE, METHOD AND MEANING IN THE WORK OF DEGAS - CALLEN,A. OXFORD ART JOURNAL, 19 (1), 108-111.
Garb, T. (1996). Visuality and sexuality in Cezanne's late Bathers. OXFORD ART JOURNAL, 19 (2), 46-60. doi:10.1093/oaj/19.2.46
GARB, T. (1994). ETTINGER,BRACHA,LICHTENBERG. ART IN AMERICA, 82 (4), 134.
GARB, T. (1993). KOORLAND,VIVIENNE. ART IN AMERICA, 81 (2), 112-113.
GARB, T. (1991). THE FORBIDDEN GAZE + A 19TH-CENTURY FRENCH TALE SHEDS LIGHT ON THE PROBLEMS OF FIN-DE-SIECLE WOMEN ARTISTS. ART IN AMERICA, 79 (5), 146-&.
GARB, T. (1989). L ART-FEMININ - THE FORMATION OF A CRITICAL CATEGORY IN LATE 19TH-CENTURY FRANCE. ART HISTORY, 12 (1), 39-65. doi:10.1111/j.1467-8365.1989.tb00336.x
GARB, T. (1989). REVISING THE REVISIONISTS - THE FORMATION OF THE UNION-DES-FEMMES-PEINTRES-ET-SCULPTEURS. ART JOURNAL, 48 (1), 63-70. doi:10.2307/776922
Garb, T. (1989). Where can we turn for languages?. Oxford Art Journal, 12 (2), 112-114. doi:10.1093/oxartj/12.2.112
GARB, T. (1987). WOMEN ARTISTS IN 19TH-CENTURY FRANCE AND ENGLAND - THEIR ART EDUCATION, EXHIBITION OPPORTUNITIES AND MEMBERSHIP OF EXHIBITING SOCIETIES AND ACADEMIES - YELDHAM,C. WOMANS ART JOURNAL, 8 (1), 45-48. doi:10.2307/1358341
GARB, T. (1986). THE SUBVERSIVE STITCH - EMBROIDERY AND THE MAKING OF THE FEMININE - PARKER,R. ART HISTORY, 9 (1), 131-134. doi:10.1111/j.1467-8365.1986.tb00237.x
Garb, T. (1985). Renoir and the natural woman. Oxford Art Journal, 8 (2), 3-15. doi:10.1093/oxartj/8.2.3
GARB, T. (1984). NEW METHODOLOGIES IN ART-HISTORY - IMPLICATIONS FOR SCHOOL TEACHING. JOURNAL OF ART & DESIGN EDUCATION, 3 (3), 347-356. doi:10.1111/j.1476-8070.1984.tb00131.x

Report

Saprai, P., Caulcott, C., Garb, T., Anziska, S., Malik, A., Ogundele, S., ...Wallis, S. (2020). Report of the Academic Board Working Group on Racism and Prejudice. .