Taws, R. (2023). Catalogue entries on three works. In Bell, E., Grandin, S., Leonard, A., Le Bitouzé, C. (Eds.), Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque nationale de France. (pp. 210-215-245-246). New Haven and Williamstown: Yale University Press/Clark Art Institute [forthcoming].
Taws, R. (2023). L'Historiographie de l'art de la Révolution française, 1890-1950. In McWilliam, N., Passini, M. (Eds.), Faire l’histoire de l’art en France, 1890-1950: Pratiques, écritures, enjeux. Strasbourg: Presses universitaires de Strasbourg/INHA [forthcoming].
Taws, R. (2022). The Portrayal of Heroism. In Forrest, A., Hicks, P. (Eds.), The Cambridge History of the Napoleonic Wars. (pp. 279-301). Cambridge: Cambridge University Press.
Taws, R. (2021). A Storm is Coming: Georges Michel in the Wind. In Moon, I., Taws, R. (Eds.), Time, Media, and Visuality in Post-Revolutionary France. (pp. 221-246). London and New York: Bloomsbury.
Moon, I., Taws, R. (2021). Introduction. In Moon, I., Taws, R. (Eds.), Time, Media, and Visuality in Post-Revolutionary France. (pp. 1-26). Bloomsbury.
Taws, R. (2021). Pasilalinic-Sympathetic Compass. In Penner, B., Forty, A., Critchley, M., Horsfall Turner, O. (Eds.), Extinct: A Compendium of Obsolete Objects. (pp. 240-243). London: Reaktion.
Taws, R. (2021). Telling Artisanal Time. In Cannady, L., Ferng, J. (Eds.), Crafting Enlightenment: Artisanal Histories and Transnational Networks. (pp. 87-91). Oxford: Voltaire Foundation.
Taws, R. (2018). Silhouette. In Hvattum, M., Hultzsch, A. (Eds.), The Printed and the Built: Architecture, Print Culture, and Public Debate in the Nineteenth Century. (pp. 283-288). London: Bloomsbury.
Taws, R. (2017). Skelett [Skeleton]. In Reichardt, R., Cillessen, W., Miersch, M. (Eds.), Lexikon der Revolutions-Ikonographie in der europaïschen Druckgraphik, 1789-1899. (pp. 1793-1806). Münster: Rhema Verlag.
Taws, R. (2015). Infernal Machines in Nineteenth-Century France. In Dethloff, D., Elam, C., Murdoch, T., Sloan, K. (Eds.), Burning Bright: Essays in Honour of David Bindman. (pp. 215-223). London: UCL Press.
Taws, R. (2012). The Precariousness of Things. In Jones, C., Carey, J., Richardson, E. (Eds.), The Saint-Aubin Livre de caricatures: Drawing Satire in Eighteenth-Century Paris. (pp. 327-347). Oxford: Voltaire Foundation.
Taws, R. (2006). 'Antonio Canova' and 'Le Moniteur'. In Fremont-Barnes, G. (Ed.), Encyclopedia of the French Revolutionary and Napoleonic wars. (pp. 207-208, 649-). Santa-Barbara: ABC:CLIO.
Taws, R. (2005). Entries on eight works. In Milman, M., Philippe, M., Rosen, J. (Eds.), Le Trompe-l’œil: plus vrai que nature?. (pp. 84-85-116-121). Versailles: Art Lys.