Fer, B.A. (2018). Lisa Milroy: Life is not Still. In Ardalan, Z. (Ed.), Here and There: Lisa Milroy. (pp. 80-81). Parasol unit.
Fer, B. (2018). The Transactions of Detail. In Baker, M., Hemingway, A. (Eds.), Art As Worldmaking. Manchester University Press.
Fer, B.A. (2017). A Motley Crew. In Rodney Graham That's Not Me. (pp. 31-40). jrp ringier.
Fer, B.A. (2017). Die Gedanke sind Frei. In Garb, T. (Ed.), William Kentridge and Vivienne Koorland: Conversations in Letters and Lines. Edinburgh: Fruitmarket Gallery.
Fer, B.A. (2017). eyes cast. In rachel whiteread. Tate.
Fer, B.A. (2013). The Pigment Drawings. In Roni Horn 153 Drawings. (pp. 7-14). Zurich: Hauser and Wirth; JRP|Ringier.
Fer, B.A. (2012). Abstraction/Corruption. In Borchardt-Hume, A., Globus, D. (Eds.), Mel Bochner: If the Colour Changes. (pp. 25-31). London: Whitechapel Gallery; Ridinghouse.
Fer, B.A. (2012). File Note Essay (Untitled). In Camden Arts, C.e.n.t.r.e. (Ed.), Zoe Leonard File Note. London: Camden Arts Centre.
Fer, B.A. (2012). Soulages. In Soulages, XXIe siècle.. Paris: Hazan.
Fer, B.A. (2012). Studio. In The Studio. (pp. 92-97). London: Whitechapel Art Gallery.
Fer, B.A. (2012). Technicien Libertaire. In Raymond, Y. (Ed.), Jean-Luc Moulène : opus + one. (pp. 137-143). New York; New Haven and London: Dia Art Foundation; Yale University Press.
Fer, B.A. (2012). Watch It Closely. In Bradley, F. (Ed.), Anna Barriball. (pp. 52-59). Edinburgh; Milton Keynes: The Fruitmarket Gallery; MK Gallery.
Fer, B.A. (2011). Ifs and Buts. In RIchmond, C., Chang, W. (Eds.), Martin Creed. (pp. 9-16). Vancouver: Rennie Collection.
Fer, B.A. (2011). James Castle: Image World / Object World. In James Castle: Show and Store. (pp. 153-158-). Madrid; New York: Museo Nacional Centro de Arte Reina Sofia; Distributed Art Publishers.
Fer, B.A. (2010). Barriers for Thinking. In Rattee, K., Larner, M. (Eds.), Nairy Baghramian, Phyllida Barlow. (pp. 69-72). London: Koenig.
Fer, B.A. (2010). The Drift of Things. In Deutsche Börse Photography Prize 2010: Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie. (pp. 60-63). London: Photographers’ Gallery.
Fer, B.A. (2009). Kafka's Ear. In O'Dwyer, D. (Ed.), Sontag Montag. London: Five Years.
Fer, B.A., Fer, B. (2009). Moth Man: Ruscha's Light and Dark. In Dean, R. (Ed.), Ed Ruscha: Catalogue Raisonne of the Paintings. Vol 4 1988 - 1992. New York, USA: Gagosian Gallery.
Fer, B.A. (2009). Storm of the Eye. In Lingwood, J., Can Noord, G. (Eds.), Vatnasafn/LIbrary of Water: Stykkishólmur, Iceland. (pp. 22-31). Gottingen: Steidl.
Fer, B.A. (2009). The Mould: Anna Maria Maiolino's Work in Clay. In Ashbury, M., Keheyan, G. (Eds.), Anna Maria Maiolino: Order and Subjectivity. (pp. 154-162). Nicosia: Pharos Publishers.
Fer, B.A. (2008). Color manual. In Color Chart. (pp. 28-38). New York, USA: Museum of Modern Art New York.
Fer, B.A. (2008). Complete with missing parts. In Roni Horn aka Roni horn. Whitney Museum of American Art and Steidl.
Fer, B.A. (2008). Seeing in the Dark. In Borchardt-Hume, A. (Ed.), Rothko: The Late Series. (pp. 31-43). London: Tate.
Fer, B.A. (2006). Nocturama: Flavin's Light Diagrams. In Jeffrey, W. (Ed.), Dan Flavin: New Light. (pp. 25-48). Yale University Press and National Gallery of Art Washington.
Fer, B. (2006). Sculpture as Sample. In Catherine, D.Z. (Ed.), Eva Hesse; Drawing. (pp. 273-304). Yale University Press and the Drawing Center New York.
Fer, B. (2005). Color-in-pieces: the Italian Neo-Avantgarde. In Molesworth, H. (Ed.), Part Object Part Sculpture. (pp. 50-61). Wexner Center for the Arts/The Pennsylvania State University Press.
Fer, B. (2005). 'Rothko and Repetition'. In Phillips, G., Crow, T. (Eds.), Seeing Rothko. (pp. p.159-p.175). Los Angeles: Getty Research Institute.
Fer, B. (2005). The Scatter:Sculpture as Leftover. In Molesworth, H. (Ed.), Part Object Part Sculpture. (pp. 222-233). Wexner Center for the Arts/Pennsylvania State University.