Book

Applin, J., Fer, B. (2018). Alison Wilding. Lund Humphries Publishers Limited.
Bourgeois, L. (2018). Louise Bourgeois: To Unravel a Torment. Glenstone Museum.
Fer, B. (2017). Richard Serra 2016. Gagosian / Rizzoli.
Fer, B. (2016). Gabriel Orozco Suisai. .
Fer, B. (2016). Gabriel Orozco: Rotating Objects. London, UK: Marian Goodman Gallery.
Fer, B.A. (2013). Gabriel Orozco: thinking in circles. Edinburgh: The Fruitmarket Gallery.
(2009). Eva Hesse Studiowork. Edinburgh: Fruitmarket Gallery Edinburgh and Yale University Press.
Fer, B.A. (2004). The Infinite Line: re-making art after Modernism. London and New Haven: Yale.
Fer, B. (2000). On Abstract Art. London: Yale University Press.
Fer, B. (1998). "Light-pieces" MONA HATOUM. Basle .
Fer, B. (1998). "The Pleasure of Cloth" in Liz Rideal: New Work. Angel Row Gallery, Nottingham .
Fer, B. (1997). On Abstract Art. London: Yale University Press.

Chapter

Fer, B., Wei Rales, E., Nemerov, A. (2018). A History of the Night. In Louise Bourgeois: To Unravel a Torment. Glenstone Museum.
Fer, B.A. (2018). Disquiet Color. In Halbreich, K. (Ed.), Bruce Nauman: Disappearing Acts. (pp. 220-229). New York: Museum of Modern Art.
Klint, H.A. (2018). Hilma Af Klint. In Guggenheim Museum.
Fer, B.A. (2018). Lisa Milroy: Life is not Still. In Ardalan, Z. (Ed.), Here and There: Lisa Milroy. (pp. 80-81). Parasol unit.
Fer, B. (2018). The Transactions of Detail. In Baker, M., Hemingway, A. (Eds.), Art As Worldmaking. Manchester University Press.
Fer, B.A. (2017). A Motley Crew. In Rodney Graham That's Not Me. (pp. 31-40). jrp ringier.
Fer, B.A. (2017). Die Gedanke sind Frei. In Garb, T. (Ed.), William Kentridge and Vivienne Koorland: Conversations in Letters and Lines. Edinburgh: Fruitmarket Gallery.
Fer, B.A. (2017). eyes cast. In rachel whiteread. Tate.
Fer, B.A. (2017). Hilma af Klint The Outsider Inside Herself. In Hilma Af Klint: Seeing Is Believing Reader. .
Fer, B.A. (2016). 'Côté Robinson': Miró, Leiris, Barthes. In Lunar Messeri, R. (Ed.), Miró and Twentieth-Century Sculpture. (pp. 90-99). Barcelona: Fondació Joan Miró.
Fer, B.A. (2016). Geometry in Action. In Ahrenberg, S., Keller, S., Obrist, H.U. (Eds.), Gabriel Orozco. (pp. 4-28). Paris: Cahiers d'Art.
Fer, B.A. (2016). Picabia's Worldliness. In Umland, A. (Ed.), Francis Picabia: Our Heads are Round. New York: Museum of Modern Art.
Fer, B.A. (2016). The Beginning of Trees and the End. In Gordon Matta-Clark. Drawings and Notebooks. (pp. 10-18). New York: David Zwirner.
Fer, B.A. (2014). The Problem of Art. In Lygia Clark. (pp. 223-228). New York: MOMA.
Fer, B.A. (2013). Exercises. In Alison Turnbull Exercise Book. Bexhill: De La Warr Pavilion.
Fer, B.A., Bryson, N., Van Adrichem, J. (2013). Light and Dirt. In Anya Gallaccio. (pp. 215-218). London: Ridinghouse.
Fer, B.A. (2013). Looking in Looking out. In Rachel Whiteread: Detached. London: Gagosian.
Fer, B.A. (2013). The Pigment Drawings. In Roni Horn 153 Drawings. (pp. 7-14). Zurich: Hauser and Wirth; JRP|Ringier.
Fer, B.A. (2012). Abstraction/Corruption. In Borchardt-Hume, A., Globus, D. (Eds.), Mel Bochner: If the Colour Changes. (pp. 25-31). London: Whitechapel Gallery; Ridinghouse.
Fer, B.A. (2012). Eva Hesse: Painting Drawing Sculpture. In Eva Hesse: Spectres and Studiowork. Seoul: Kukje Gallery.
Fer, B.A. (2012). File Note Essay (Untitled). In Camden Arts, C.e.n.t.r.e. (Ed.), Zoe Leonard File Note. London: Camden Arts Centre.
Fer, B.A. (2012). Soulages. In Soulages, XXIe siècle.. Paris: Hazan.
Fer, B.A. (2012). Studio. In The Studio. (pp. 92-97). London: Whitechapel Art Gallery.
Fer, B.A. (2012). Technicien Libertaire. In Raymond, Y. (Ed.), Jean-Luc Moulène : opus + one. (pp. 137-143). New York; New Haven and London: Dia Art Foundation; Yale University Press.
Fer, B.A. (2012). Watch It Closely. In Bradley, F. (Ed.), Anna Barriball. (pp. 52-59). Edinburgh; Milton Keynes: The Fruitmarket Gallery; MK Gallery.
Fer, B.A. (2011). El Mundo de la Imagen: El Mundo del Objeto. In James Castle: Mostrar y Almacenar. (pp. 153-158). Madrid: Museo Nacional Centro de Arte Reina Sofia.
Fer, B.A. (2011). Ifs and Buts. In RIchmond, C., Chang, W. (Eds.), Martin Creed. (pp. 9-16). Vancouver: Rennie Collection.
Fer, B.A. (2011). James Castle: Image World / Object World. In James Castle: Show and Store. (pp. 153-158-). Madrid; New York: Museo Nacional Centro de Arte Reina Sofia; Distributed Art Publishers.
Fer, B.A. (2010). Barriers for Thinking. In Rattee, K., Larner, M. (Eds.), Nairy Baghramian, Phyllida Barlow. (pp. 69-72). London: Koenig.
Fer, B.A. (2010). The Drift of Things. In Deutsche Börse Photography Prize 2010: Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie. (pp. 60-63). London: Photographers’ Gallery.
Fer, B.A. (2009). Constellations in dust: Notes on the Notebooks. In Temkin, A. (Ed.), Gabriel Orozco. New York: Museum of Modern Art New York.
Fer, B.A. (2009). Crazy About Saturn: Gabriel Orozco Interviewed by Briony Fer (2006). In Bois, Y.A. (Ed.), Gabriel Orozco (October Files 9). (pp. 157-180). Cambridge and London: The MIT Press.
Fer, B.A. (2009). Each Any: Interview with Jean-Luc Moulène, Paris, October 2008. In Criqui, J.P. (Ed.), Jean-Luc Moulène. (pp. 134-148). Nîmes; Cologne: Carré d’art - Museé d’art contemporain de Nîmes; Buchhandlung Walther König.
Fer, B.A. (2009). Kafka's Ear. In O'Dwyer, D. (Ed.), Sontag Montag. London: Five Years.
Fer, B.A., Fer, B. (2009). Moth Man: Ruscha's Light and Dark. In Dean, R. (Ed.), Ed Ruscha: Catalogue Raisonne of the Paintings. Vol 4 1988 - 1992. New York, USA: Gagosian Gallery.
Fer, B.A. (2009). Spirograph: the Circular Ruins of Drawing (2004) and Crazy about Saturn (2006). In Bois, Y.A. (Ed.), Gabriel Orozco. Cambridge Mass, and London england: MIT Press.
Fer, B.A. (2009). Storm of the Eye. In Lingwood, J., Can Noord, G. (Eds.), Vatnasafn/LIbrary of Water: Stykkishólmur, Iceland. (pp. 22-31). Gottingen: Steidl.
Fer, B.A. (2009). The Mould: Anna Maria Maiolino's Work in Clay. In Ashbury, M., Keheyan, G. (Eds.), Anna Maria Maiolino: Order and Subjectivity. (pp. 154-162). Nicosia: Pharos Publishers.
Fer, B.A. (2008). Color manual. In Color Chart. (pp. 28-38). New York, USA: Museum of Modern Art New York.
Fer, B.A. (2008). Complete with missing parts. In Roni Horn aka Roni horn. Whitney Museum of American Art and Steidl.
Fer, B.A. (2008). Seeing in the Dark. In Borchardt-Hume, A. (Ed.), Rothko: The Late Series. (pp. 31-43). London: Tate.
Fer, B.A. (2008). Time's Measure (and other vicissitudes). In Ratibor, M.F.A.S. (Ed.), Ed Ruscha Paintings. London: Gagosian.
Fer, B. (2007). Celluloid Circus: Gordon Matta-Clark's Color Cibachromes. In Elisabeth, S. (Ed.), Gordon Matta-Clark: 'You are the measure'. (pp. 136-145). Whitney Museum of American Art and Yale University Press.
Fer, B. (2007). The Colour of Slang. In Pat, F.A.M.M. (Ed.), David Batchelor Unplugged. (pp. 10-13). Talbot Rice Gallery University of Edinburgh.
Fer, B.A. (2006). Crazy about Saturn:interview with Gabriel Orozco. In Ponte, A.G. (Ed.), Gabriel Orozco. Mexico City: Turner.
Fer, B. (2006). Networks: Graphic strategies from Matta to Matta-Clark. In Betti-Sue, H. (Ed.), Transmissions: the art of Matta and Gordon Matta-Clark. (pp. 35-45). San Diego Museum of Art.
Fer, B.A. (2006). Nocturama: Flavin's Light Diagrams. In Jeffrey, W. (Ed.), Dan Flavin: New Light. (pp. 25-48). Yale University Press and National Gallery of Art Washington.
Fer, B. (2006). Sculpture as Sample. In Catherine, D.Z. (Ed.), Eva Hesse; Drawing. (pp. 273-304). Yale University Press and the Drawing Center New York.
Fer, B. (2005). Color-in-pieces: the Italian Neo-Avantgarde. In Molesworth, H. (Ed.), Part Object Part Sculpture. (pp. 50-61). Wexner Center for the Arts/The Pennsylvania State University Press.
Fer, B. (2005). 'Rothko and Repetition'. In Phillips, G., Crow, T. (Eds.), Seeing Rothko. (pp. p.159-p.175). Los Angeles: Getty Research Institute.
Fer, B. (2005). The Scatter:Sculpture as Leftover. In Molesworth, H. (Ed.), Part Object Part Sculpture. (pp. 222-233). Wexner Center for the Arts/Pennsylvania State University.
Fer, B.A. (2004). Hanne Darboven: Seriality and the Time of Solitude. In Corris, M. (Ed.), Conceptual Art. (pp. 223-234). Cambridge: Cambridge University Press.
Fer, B. (2004). Night sky. In Vija Celmins. (pp. 102-107). London: Phaidon.
Fer, B. (2004). Pressure Points:Penone's tactile vernacular. In Catherine, D.Z. (Ed.), Guiseppe Penone;The Imprint of Drawing. (pp. 89-97). New York: Drawing Center.
Fer, B. (2004). Spriograph:the circular ruins of drawing. In Gabriel Orozco. (pp. 13-26). Serpentine Gallery,London, and Walther Konig, Cologne.
Fer, B. (2002). Bordering on Blank: Eva Hesse and Minimalism (1994). In Mignon, N. (Ed.), Eva Hesse. (pp. 57-85). Cambridge and London: MIT.
Fer, B.A. (2002). The Work of Salvage:Eva Hesse's Latex Works. In Sussman, E. (Ed.), Eva Hesse. (pp. 79-95). San Francisco Museum of Modern Art and Yale University Press.
Fer, B. (2000). Some Translucent Substance, Or the Trouble with Time. In Gill, C. (Ed.), Time and the Image. (pp. 69-78). Manchester: Manchester University Press.
Fer, B. (1999). "The Work of Art, the Work of Psychoanalysis". In Perry, G. (Ed.), Gender and Art. (pp. 240-251). London: Yale University Press and Open University.
Fer, B.A. (1900). Kafka's Ear. In Sontag Montag: Susan Morris. London: Five Years.

Conference paper (text)

Fer, B. (1999). Sexuality and the Time of Solitude: the Work of Hanne Darboven.

Exhibition

Coxon, A., Fer, B., Müller-Schareck, M. (1900). Anni Albers. (No of pieces: 350). [Exhibition]. Tate Modern, London UK.

Journal article

Fer, B.A. (2013). Inventing Abstraction, 1910-1925. Artforum, 51.10 346-347.
Fer, B.A. (2013). Pictorial Lamination. Parkett, 92
Fer, B.A. (2012). The 30th São Paulo Bienal. Artforum, 51.4 264-265.
Fer, B.A. (2011). David Batchelor. Artforum, 50.4 266-.
Fer, B.A. (2011). Lygia Pape. Artforum, 50.2 303-304.
Fer, B.A. (2009). Isa Genzken. Artforum, 47.10 322-324.
Fer, B.A. (2008). The Best Books of 2008. Artforum, 47.4 84-.
Fer, B. (2007). Eva Hesse and Color. October, 119 (Winter), 21-36.
Fer, B. (2007). Night. The Oxford Art Journal, (January), 69-80.
Fer, B.A. (2007). Open Books (Roni Horn’s Vatnasafn/Library of Water). Artforum, 45.10 173-174, 176.
Fer, B. (2001). The Somnambulist's Story: Installation and the Tableau. The Oxford Art Journal, 24 (2), 75-92.
Fer, B. (1999). "Clearings: Three Artists (Three Women); Modernism and the Art of Hesse, Krasner and O'Keefe by Anne Middleton Wagner", pp. 436 - 439.
Fer, B. (1999). "Framed: Lucio Fontana". Tate Magazine, (19), 16.
(1999). "Objects Beyond Objecthood". Oxford Art Journal, 25-36.
Fer, B. (1999). "To Hell with Pictures"; Ellsworth Kelly's Walls. Parkett, 56 33-43.