Book

Wright, A. (2019). Frame Work: Honour and Ornament in Italian Renaissance Art. New Haven, CT, USA: Yale University Press.
Wright, A.J. (2010). Nameless: Anonymous Drawings of 15th and 16th-Century Italy from the British Museum, The Courtauld Gallery, National Galleries of Scotland. Moray Art Centre, Findhorn: Moray Art Centre.
Wright, A.J. (2005). The Pollaiuolo Brothers: The Arts of Florence and Rome. London & New Haven: Yale University Press.
Wright, A.J., Rubin, P.L. (Eds.), (1999). Renaissance Florence: The Art of the 1470s. London: National Gallery Publications and Yale University Press.
Wright, A.J., Marchand, E. (1998). With and Without the Medici: Studies in Tuscan Art and Patronage 1434-1530. .

Chapter

Wright, A. (2023). Making and Viewing: Encountering Donatello's Sculpture. In Motture, P. (Ed.), Donatello: Sculpting the Renaissance. London UK: V&A Publishing.
Wright, A. (2022). The Transformation of Gold. In SILVER, N. (Ed.), Simone Martini in Orvieto. New Haven and London: Yale University Press.
Wright, A. (2020). The Temporary and the Temporal: Suspense in the Strozzi chapel. In Nuttall, P., Nuttall, G., Kwakkelstein, M.W. (Eds.), Filippino Lippi: Beauty, Invention and Intelligence. NIKI Studies in Netherlandish-Italian Art History,: Brill.
Wright, A.J. (2015). Crivelli's divine materials. In Campbell, S.J. (Ed.), Ornament and Illusion: Carlo Crivelli of Venice, catalogue of the exhibition at the Isabella Stewart Gardner Museum, Boston. (pp. 57-77). London: Paul Holberton Publishing.
Wright, A.J. (2015). Marking Time: Medici Imagery and Princely Iconography. In Black, R., Law, J.E. (Eds.), The Medici Citizens and Masters. (pp. 295-310). Princeton N.J.: Harvard University Press.
Wright, A.J. (2013). Tabernacle and sacrament in fifteenth-century Tuscany. In Motture, P., Jones, E., Zikos, D. (Eds.), Carvings, Casts and Collectors: The Art of Renaissance Sculpture. V & A Publishing.
Wright, A.J. (2007). 'Sculptural Values': Reading Fictive Relief in Late 15th- and Early 16th-century Italy. In Cooper, D.L., M. (Eds.), Depth of Field: Relief Sculpture in Renaissance Italy. (pp. 189-209). Oxford: Peter Lang.
Wright, A.J. (2003). Between the Patron and the Market: Production Strategies in the Pollaiuolo Workshop. In Fantoni, M., Mathew, L., Mathews-Grieco, S. (Eds.), The Art Market in Italy 15th - 17th Centuries. Il Mercato dell'arte in Italia. (pp. 225-236). Modena: Franco Cosimo Pannini.
Wright, A. (2000). The Memory of Faces: Representational Choices in fifteenth-century Florentine Portraiture. In Ciappelli, G., Rubin, P. (Eds.), Art, Memory and Family in Renaissance Florence (Acts of the 1996 conference). (pp. 86-113). Cambridge: Cambridge University Press.
Wright, A. (1998). Dancing Nudes at the Lanfredini Villa at Arcetri. In Wright, A., Marchand, E. (Eds.), With and Without the Medici: Art and Patronage in Tuscany, 1434-1494. (pp. 47-77). Aldershot: Ashgate.
Wright, A. (1998). Mantegna and Pollaiuolo: Artistic Personality and the Marketing of Invention. In Currie, S. (Ed.), Drawing, 1400-1600: Invention and Innovation. (pp. 72-90). Aldershot: Ashgate.
Wright, A. (1998). The Patron in the Picture. In Wright, A., Marchand, E. (Eds.), With and Without the Medici: Art and Patronage in Tuscany, 1434-1494. (pp. 1-18). Aldershot: Ashgate.
Wright, A. (1997). Dimensional Tension in the work of Antonio del Pollaiuolo. In Currie, S., Motture, P. (Eds.), The Sculpted Object, 1400 - 1700. (pp. 65-79). Aldershot .

Exhibition

Wright, A., Centre, M.A. (1900). Nameless: anonymous drawings of 15th- and 16th-century Italy. [Exhibition].

Journal article

Wright, A. (2020). The politics of the gilded body in early Florentine statuary. Sculpture Journal, 29 (2), 131-158. doi:10.3828/sj.2020.29.2.2
Wright, A.J. (2013). A new book on Signorelli. Burlington Magazine, CLV (1329), 832-833.
Wright, A.J. (2012). 'Touch the Truth'? Desiderio da Settignano, Renaissance relief and the body of Christ. Sculpture Journal, 21 (1), 7-25. doi:10.3828/sj.2012.2
Wright, A. (2011). '... con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430-1550. Art History, 34 (1), 8-53. doi:10.1111/j.1467-8365.2010.00798.x
WRIGHT, A. (2010). Review of Ghirlandaio and the Florentine Renaissance, exhibition at Museo Thyssen-Bornemisza, Madrid. The Burlington Magazine, 152 (no. 1291), 699-700.
WRIGHT, A. (2008). Review of L. Fusco and G. Corti, Lorenzo de’ Medici: Collector and Antiquarian, Cambridge 2006. The Burlington Magazine, 150 (no. 1265), 549-550.
Wright, A. (2007). Authority and vision: The painter's position in the Cappella Nova at Orvieto. Renaissance Studies, 21 (1), 20-43. doi:10.1111/j.1477-4568.2007.00366.x
WRIGHT, A. (2007). Review of Michelangelo: Closer to the Master, British Museum exhibition and catalogue. Renaissance Studies, 21 (no.3), 415-422.
Wright, A. (2005). Review of Filippino Lippi by Patrizia Zambrano and Jonathan Katz Nelson. Burlington Magazine, CXLVII (1231), 687-688.
(2001). Review of D. Kent: Cosimo de' Medici and the Florentine Renaissance: the Patron's Oeuvre. Burlington Magazine, CXLIII (1180), 435-436.
Wright, A. (2001). Review of: Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Burlington Magazine, CXL111 (1185), 786-787.
Wright, A. (2000). Fra Filippo Lippi, Carmelite Painter, by Holmes, M.. Burlington Magazine,
Wright, A. (1998). The Sculpture of Andrea del Verrocchio by A. Butterfield.
Wright, A. (1997). Antonio del Pollaiuolo's `Elevation of the Magdalen` in Staggia and an early patron. Burlington Magazine, CXXXX (July), 444-451.
Wright, A. (1997). L'Officina della Maniera. Renaissance Studies, XI (2), 154-159.